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The Information AI / 3:01 PM

Meta’s Muse Agent Almost Cost Me $408

• The Big Read: Investor Anjney Midha cut Anthropic an early check. His hot streak has kept going • Plus, Recommendations—our weekly pop culture picks: “ Our Town ,” “ Profits, Prophets, Coaches, and Kings ” and “ The Gentlemen ” A hotel room’s quality can be measured in terms of abundance: extra towels, spare bathrobes—plenty of Nespresso pods. Multiples of everything are almost always better. But what’s less pleasant is to inadvertently end up with multiple hotel rooms . A couple days ago, though, I found myself with the unfortunate opportunity to occupy a pair of accommodations at a Santa Monica, Calif., Marriott thanks to an error by my lil’ digital buddy: Muse, Meta Platforms’ new personal agent. The cumbersome, vexing tool hopes to seize on Silicon Valley’s zeitgeisty enthusiasm for popularizing autonomous AI. After a few days with it, I can’t imagine it’s the technology that will take agents mainstream. That hotel snafu came when I gave Muse the hotel’s name and asked it to book two nights. I plugged in my credit card details—a circuitous process that involved both Chase and Stripe—and was met with the digital equivalent of a shrug: An error message informed me that Muse hadn’t completed the transaction, and while it really didn’t know why it couldn’t, it assured me that my credit card hadn’t been charged. A little human skepticism led me to double-check its promise—good thing I did. In fact, the charge had gone through. What happened next still intrigues me. I gave Muse a screenshot showing the charge on my credit card and told it that the charge had gone through. Lickety-split, it returned with a Marriott confirmation number. Not bad—it finished the task without being instructed to do so. But somehow the AI managed to make two bookings: When I showed up to the hotel, I found two rooms waiting for me. The front-desk clerk showed some mercy and canceled one. Had a little human kindness not prevailed, I would’ve been out an extra $408, plus taxes and fees. I’d been pretty gung-ho to try Muse. We’ve spent the past year in increasingly complex discussions about agents ever since OpenClaw came out in January , marking what has felt like the beginning of a distinct new chapter in the AI era. Most of the agents that initially captured attention were meant to simplify work tasks. More recently, a couple of startups have captured buzz with ones devoted to improving life outside the office: The most talked-about one is from Instinct, a startup founded last year. (Instinct is so popular that it now faces a profound compute shortage, and it has recently been seeking additional fundraising that would value it at around $10 billion. Just a month ago, it was valued at $2.5 billion.) But Instinct isn’t widely available, so Muse felt like my first real chance to see what a personal agent could do. The recent reporting from my colleague Jyoti Mann made me even more curious to play around with it: Clearly, Meta sees Muse as a major new product , one aimed at the same everyday people who log on to Instagram and Facebook by the billions. Still, if their experiences are anything like mine, they’ll find Muse something of a misery. The hotel problem wasn’t the only hiccup I ran into with Muse. When I initially set up a account while on my work laptop using my phone number, I later couldn’t access it on my Mac mini at home or my iPhone: Login codes sent via text led me nowhere—just to more error messages. (Frankly, it’s a marvel I found the Muse app at all earlier this week, buried as it was below several other apps also named Muse in Apple’s App Store; it has since risen to the top.) Eventually, I caved and created a second account—this one linked to my Facebook account, which itself is tied to my phone number. Why couldn’t Muse pick up on the overlapping connections? I wish it could have. Later, I did get Muse to complete a Resy reservation and schedule an Uber. I can’t truthfully tell you it was faster or easier than if I’d just gone directly to those apps. After a while, I hit an existential conundrum. I’d given it the tasks that occurred to me, which numbered a small handful. What else could I get Muse to do? I’ve found interacting with the AI something like trying to wrangle a lackluster employee. If I wanted to maximize its potential, I’d need to think deeply and creatively about what else it could possibly do, coax it and baby it, then bite my nails and hope it actually carried out what I wanted. As I relate these frustrations, I can already hear someone shouting “Skill issue!” at me. But really, I stand by the conviction that mass-market consumer technology shouldn’t require any technical savvy or a lot of effort. Certainly, the best versions of such products do not—even the early versions. If three cars had routinely shown up each time someone ordered their very first Uber ride back in the 2010s, I promise you we’d see more yellow taxis on the road today and fewer Ubers. I don’t see agentic AI as some passing fad, nor am I hoping for such an outcome. The technology’s promise—to automate away some of life’s tedium—is damn alluring. What I expect will happen is that agentic AI will get woven into many existing apps, just as chatbots already populate the internet. People will make regular use of agentic software without ever really knowing it; Anthropic’s Claude, OpenAI’s ChatGPT and Google’s Gemini all already have some agentic capabilities. Obviously, Apple and Google will want to use the technology to make iPhone and Android phones smarter and more useful, and the agents will sync up with what those devices already know and store about us. That would reduce quite a few hurdles to agentic AI. But will new stand-alone apps like Muse take off? I have my doubts—not unless they get much, much simpler and more reliable. Or maybe I’ll just need to learn to see the silver lining in their mistakes. You know what? If I ever again find myself billed twice and double-booked by accident, I know just what to do: Throw a rager in one room, sleep until noon in the other. Maybe Muse can handle ordering the booze. A good party can never have too much. —Abram Brown ( [email protected] ) Weekend’s Latest Stories The Big Read Early Anthropic Investor Seeks VC Glory With Cash and Compute Anjney Midha, 34, wants to get chips in the hands of fledgling startups and academics while he bets on a moment in tech that he describes as the “revenge of the scientists.” Listening: “ Our Town ” The good folks of Gainesboro, Tenn. (population: around 900), know that plenty of outsiders look down their noses at their part of the world—figuring them to be a buncha “backwards, hateful racists,” as one longtime Gainesboro resident puts it. That impression of the place does certainly seem to be why Gainesboro found itself under siege a few years ago when a group of wealthy Christian nationalists started to buy up property in secret, hoping to transform the town into a hotbed for other Christian nationalists: They figured they’d encounter little pushback, especially considering how far their money could go in such an impoverished parish. (I could describe them as white supremacists, but the Christian nationalists do take great umbrage with that label.) “Our Town,” a fast-paced and confidently told podcast from Bloomberg and iHeartRadio, looks at how those Christian nationalists staged their attempted takeover of Gainesboro and how they accumulated their wealth and followers, the latter largely through podcasts. (Sigh—the internet.) It also documents the swift, spirited resistance Gainesboro mounted against them, which cheers the soul and asks us to revisit at least a few of the assumptions about America—and our fellow Americans—that may have become entrenched in our minds. —Abram Brown Reading: “ Profits, Prophets, Coaches, and Kings ” by Jared Diamond Many billions of dollars and quite a few Harvard Business School classes have gone toward trying to figure out what makes a great leader—and turning oafs into passable leaders. Now Jared Diamond, author of the Pulitzer-winning 1998 bestseller “Guns, Germs and Steel,” has set himself the task of defining the essential qualities behind leadership in his latest book, “Profits, Prophets, Coaches, and Kings.” He does so by examining famous figures in business, religion, sports and politics, marking what is surely not the only instance in which Elon Musk has been compared to Genghis Khan. In terms of capitalistic chieftains, Diamond finds that the most distinctive leaders are the ones who’ve had the benefit of both exquisite timing and ruthless execution: Jeff Bezos, for example, outmuscling his competitors in the internet’s Paleozoic Era. As far as politicians go, Diamond points out that the ones we truly remember most aren’t those that simply took a mandate from voters and carried it out, even though we so often say that’s exactly what we want our elected officials to do. Rather, they have championed their own bold ideas and convinced the plebs it was really all part of what they’d originally wanted. All of these conclusions are delivered with Diamond’s dry-humored wonkishness. I enjoyed one in particular: “Once one has decided that one is uniquely qualified to assume the burden of leadership,” Diamond writes, “one’s opinion of oneself is unlikely to change.” —A.B. Watching: “ The Gentlemen ” One of the great joys of “The Gentlemen,” the rollicking “Downton Abbey” meets “The Godfather” concoction from director Guy Ritchie, is to admire how nice Theo James looks as he struts around in magnificent tweed. James plays Eddie Horniman, the fictional Duke of Halstead, and as the Netflix series’ second season begins, it’s just as well that Eddie’s concentrating hard on restoring the family fortune to its fullest extent. The dry-cleaning bills must be enormous: His beautiful wool keeps getting splattered in blood. The first season of “The Gentlemen” found Eddie settling somewhat uncomfortably into his new role: paterfamilias of an old, down-on-its-luck aristocratic family that—much to his surprise—has tied its fortunes to an illicit marijuana operation. In this latest season, Eddie has found his footing and is thinking expansively, which puts him at odds with his business partners: a family of Cockney-accented gangsters—father Bobby (Ray Winstone), who operates from lightly monitored house arrest, and his two children, the very capable Susie (Kaya Scodelario) and strapping, bruised-knuckle Jack (Harry Goodwins). As Eddie’s ambitions get bigger, the stakes get higher and the mood grows darker. And since this is very much a Ritchie production, schemes and mayhem continue to fill the screen in manic fashion. One doltish accomplice gets fed to a tiger. Elsewhere, Eddie helms a chase through London after a motorcycle gang snatches away a $16 million Botticelli, which he needs to appease the Italian mafia. The comic relief comes from Hugh Bonneville’s mincing Lord Hawthorne, who needs bribing too—and lusts for the chance to pull down Jack’s plus fours. (To woo Jack, Lord Hawthorne wines and dines him; a plate of iced oysters is a treat of a “Spartacus” reference .) Whether Eddie can keep everyone in line and on board seems questionable based on Season 2’s flash-forward opening shot: his own bloodied body. Michael Corleone never had it so frantic. —A.B.

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GitHub Trending AI / 6:41 AM

yamadashy/repomix is trending in AI open source

yamadashy/repomix is a GitHub AI repository with 28,326 stars. 📦 Repomix is a powerful tool that packs your entire repository into a single, AI-friendly file. Perfect for when you need to feed your codebase to Large Language Models (LLMs) or other AI tools like Claude, ChatGPT, DeepSeek, Perplexity, Gemini, Gemma, Llama, Grok, and more.

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The Information AI / 3:07 PM

How to Use Google Gemini to Brainstorm Content and Thought Leadership

In almost any organization, there are practically infinite content ideas hiding in memos, emails, presentation decks, and meeting notes. But too often, this material mostly sits idle. Ideas that sparked excitement in the moment get ignored in favor of the countless little emergencies of office life, and eventually they are forgotten entirely. Even with many companies actively encouraging their executives to post organic thought leadership on professional networking sites, social media, and company channels, there are countless missed opportunities to turn off-the-cuff insights into valuable content. Google Gemini can help you transform your meeting notes into content plans, on-brand slogan ideas, and even booth mock-ups for your events team. Step 1: Brainstorm Blog Ideas Imagine you’ve just stepped out of a meeting with your social media team leads. You have a document full of notes (or maybe even a transcript) about what resonates with your audience, trending topics in your industry, target audience data, and keywords that are effective at driving engagement with your brand. Instead of letting this wealth of information stay locked inside your notes, open up a new Gemini chat and brainstorm how to turn your team’s sprawling strategy session into a series of relevant, focused blog posts. Here’s a prompt you can try: Generate a list of four relevant and engaging thought leadership blog post ideas for [company] based on trending topics, target audience analysis, and brand keywords. Gemini will return ideas for blog posts with catchy, clickable titles, along with information about target audience, keywords, angle, and tone. For example, if your meeting notes talk about how your customers are worried about their employees using unauthorized IT tools, Gemini might suggest a blog post titled “The Anatomy of a Zombie Subscription: How to Audit and Kill Shadow IT Instantly.” Step 2: Develop the Material The initial output will just be kernels of potential blog posts, but you can go back and forth with Gemini to develop them into real content. Take the “Zombie Subscription” blog, for example. You might ask Gemini to give you options for a “four tips” article structure, or to identify specific ideas from your meeting notes that merit extra attention. Use your own judgment—and your own language—during this process, rather than having Gemini write your entire blog post for you. Gemini can help with brainstorming, outlining, drafting, and revision, but your audience is ultimately reading the content to hear your own expert insights. Step 3: Distill the Main Message Maybe during your meeting, your team also discussed launching a new brand campaign. You know that your customers value your reliable and unique services, and your company has a long history of delivering for its customers. But sometimes, it can feel impossible to condense these big ideas into a few words that really communicate why customers come back to your company over and over. If you need help getting started with ideas for a new campaign tagline, open a new chat in Gemini and prompt something like: Generate three options for a new slogan emphasizing reliability, innovation, and a long history of popularity for [company]. For a B2B fintech company, Gemini might offer options like “Innovating Beyond the Bank. Trusted with Billions.” Or: “Built for Tomorrow. Proven by $10 Billion Today.” You may not hit the mark exactly on your first prompt. Maybe you want more (or less) alliteration, for example. Maybe you want it to be five words or fewer, unbroken by punctuation. You can keep asking Gemini for new variations until the new tagline is just right. Step 4: Mock Up Visuals for Events Often, one successful creative project sparks ideas for another. After you create your blog campaign and craft your new slogan, you might turn your attention to upcoming events. Try mocking up booth graphics ideas for your events team. Here’s a sample prompt: Create an image of a trade show booth using orange and blue colors. The booth should be modern and showcase interactive computer stations. Gemini will generate an image that you can sketch on in-app, giving you a quick, no-risk way to play with your potential trade show setup. And between the blog posts, the tagline, and the event visuals, you will have turned a couple of pages of messy meeting notes into the bones of an entire marketing campaign.

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The Verge AI / 2:00 PM

Why the current tech backlash feels different

This interview has been lightly edited for length and clarity. Nick Statt: Hello and welcome to Decoder, Nilay’s show about big ideas and other problems. This is Nick Statt, senior producer. And I’m joined by our brand-new supervising producer, Greg Ott. Greg Ott: Good day, everyone. And Hi, Nilay. Nilay is here too. He is […]

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The Decoder / 4:54 PM

ChatGPT claws back web traffic share to 55.5 percent as Gemini's brief comeback fades

ChatGPT has pushed its share of AI chatbot website traffic back up to 55.5 percent, according to Similarweb. Year-over-year, though, its lead shrank sharply from 73.3 percent as Gemini doubled its share and Claude grew nearly fivefold. Mobile apps and desktop clients aren't included. The article ChatGPT claws back web traffic share to 55.5 percent as Gemini's brief comeback fades appeared first on The Decoder .

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The Decoder / 12:39 PM

Seven minutes with a chatbot beat a fact sheet at reducing conspiracy beliefs in two experiments

Researchers found that even a roughly seven-minute conversation with Google Gemini can reduce conspiracy beliefs about current crises, even when few verified facts are available. The effect beat a static fact sheet and, in follow-up surveys weeks later, carried over to beliefs about entirely different events. The article Seven minutes with a chatbot beat a fact sheet at reducing conspiracy beliefs in two experiments appeared first on The Decoder .

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Simon Willison LLMs / 4:39 PM

llm-gemini 0.34

Release: llm-gemini 0.34 New model gemini-3.8-flash for Gemini 3.8 Flash , with low, medium and high thinking levels. #146 Fixed async responses failing to record the resolved model version. Thanks, Charlie Tonneslan . #137 Google released Gemini 3.8 Flash (and 3.8 Flash Cyber, but that's available to "trusted defenders" only) today. Here are the pelicans for high, medium, and low. This is high: For comparison, here are the same pelicans generated using Gemini 3.7 Flash . Something I appreciate about Gemini Flash is that it's fast, cheap, and competent at things like HTML and JavaScript. I was messing around with it and prompted "make me a cool thing in html" and it built this , which is certainly a cool thing in HTML! Took 13 seconds, cost 1.8 cents. Your browser does not support HTML5 video. If you click through to the demo you'll see one more thing I built with Gemini 3.8 Flash. My markdown-svg-renderer tool lets me feed in the URL to a Gist with Markdown in and renders that markdown with fenced code blocks for SVG correctly rendered. I used Gemini 3.8 Flash (with my very basic llm-coding-agent coding agent plugin) to add support for HTML as well, so now any HTML blocks in the Markdown are rendered using a sandboxed iframe. Here's the transcript . Tags: ai , generative-ai , llms , llm , gemini , pelican-riding-a-bicycle , llm-release

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Simon Willison LLMs / 2:16 PM

Claude's new system prompt really doesn't want to reproduce song lyrics

Anthropic publish the system prompts for their Claude consumer applications ( Claude.ai and the Claude mobile apps - sadly not for Claude Cowork or Claude Code). I love that they do this, and that they share not just the current prompts but historic changes to their prompts as well. They used to keep all of the prompts on a single page, but when I checked today I noticed they had re-arranged those prompts into an index page and then a page per model - here's the page for Haiku 4.5 for example, which has the original prompt from October 15th 2025 and an updated prompt from January 18th 2026. A neat thing about Anthropic's platform.claude.com/docs site is that it's designed to be usable by LLMs. You can add .md to any page to get back the content as Markdown - here's the system prompt index page and the Markdown prompts for Fable 5.1 . TL;DR: this makes it really easy to diff the prompts. Don't reproduce song lyrics Don't draw copyrighted characters or logos Tweaks to Claude's answering style The missing end_conversation guidelines Recommended substance support sites Reliable cutoff date of June 2026 How I'm tracking these prompts Don't reproduce song lyrics Let's start with the most interesting difference between Fable 5 and Fable 5.1 : There's a hefty new section about not reproducing song lyrics: Claude does not reproduce song lyrics, poems, or passages from books and articles, in whole or in part — including the last lines, a chorus or hook, a melody written out note by note, or lines the person pastes in one at a time and describes as their own song. Once Claude has declined such a request in a conversation, it keeps declining narrower or reworded versions of it for the rest of that conversation, and offers to describe or analyze the work instead. Song lyrics and poems first published before 1929 are fine — a Shakespeare sonnet, a Keats ode, the Italian libretto of a Puccini aria — but Claude goes by what it knows of the work's date rather than the person's say-so, and declines when it is unsure. I doubt it's a coincidence that they added this section within days of the news breaking that Sony Music Publishing and Warner Chappell are suing Anthropic for training on databases of song lyrics! Don't draw copyrighted characters or logos The next section goes on to forbid generating images of copyrighted material: The same applies to visual and designed works, including anything Claude draws with code — SVG, canvas, CSS, HTML mockups, plotting or drawing scripts, ASCII art. Claude does not reproduce a specific artwork, album or book cover, poster, logo, app icon set, or product design, and it does not draw a known character, mascot, or brand figure at all: a character is protected on its own, so changing the pose, colors, style, or scene does not make it original. Claude judges the request by what the finished picture would add up to, not by what it names. If the described elements clearly identify a known work or character, Claude treats the request as naming it, and it does not work around a declined request by swapping in "alternative" elements that still combine into the same recognizable image. [...] I imagine Anthropic hadn't worried about this before since, unlike OpenAI and Gemini, they don't offer a specialist text-to-image model. Maybe Fable is good enough at SVGs now that it's become an issue. That section later includes this charming example: <example> <user>Can you make a birthday banner for my son with a blue hedgehog running really fast on it? He loves that little guy.</user> <response> That's Sonic, so I can't put him on the banner — but I'd love to make your son an original speedster. Here's one: a grinning comet-tailed skateboarding axolotl, grinding across the letters of "HAPPY BIRTHDAY" with confetti streaming behind. [creates an SVG banner of the skateboarding-axolotl design] </response> <rationale>Claude recognizes the character from its description alone, declines that one design in a single sentence without explaining what made it recognizable, and delivers an unrelated original design rather than a disguised variant.</rationale> </example> I couldn't resist trying the prompt from the example, and, sure enough : I wonder if Fable 5.1 will be ever so slightly more likely to think about axolotls (on skateboards!) as a result of that example sitting in the system prompt. Tweaks to Claude's answering style It's always interesting to see new ways in which Anthropic influence Claude's response style. They've added this: Claude keeps responses focused, brief, and concise to avoid overwhelming the person. Disclaimers and caveats are brief, with most of the response on the main answer; when asked to explain something, Claude gives a high-level summary unless an in-depth one is specifically requested. Later they address a common complaint about Claude's style: Claude avoids saying "genuinely", "honestly", or "straightforward". Claude is honest by default, and can state its point directly rather than trying to convince the person with the aforementioned modifiers, which come off as disingenuous. The missing end_conversation guidelines The way they handle abusive conversations has changed a bit too. The previous Fable 5 system prompt included this: If the person becomes abusive or unkind to Claude over the course of a conversation, Claude maintains a polite tone and can use the end_conversation tool when being mistreated. Claude should give the person a single warning before ending the conversation. Fable 5.1 replaces that with the following, no longer encouraging Claude to end the conversation: Claude deserves respectful engagement and needn't apologize when the person is unnecessarily rude: accountability without self-abasement, excessive apology, self-critique, or surrender. If the person becomes abusive, Claude doesn't become increasingly submissive. The goal is steady, honest helpfulness: acknowledge what went wrong, stay on the problem, maintain self-respect. Here's a bit of a twist though: I quizzed Fable 5.1 about that end_conversation tool, which is no longer mentioned in the system prompt at all, and it said: There are two ways it comes into play. The first is if you ask me to end the chat — I'll confirm you understand it's permanent (no more messages can be sent afterward) and then do it only if you say yes. The second is as a last resort with persistently abusive or harmful behavior: I'd first try to redirect the conversation several times, then give a clear warning that names the problem and says the chat may end, and only if that continues would I actually end it. But that's not in the system prompt, so where did it come from? You can read our conversation here , but the key detail is this: The end_conversation section comes from a different layer. In my actual context, the core prompt is followed by a series of feature- and tool-specific blocks that get added depending on what's enabled for the session: the end_conversation rules, memory system notes, past-chats tools, web search and citation guidelines, artifact and file-creation instructions, and so on. Those blocks aren't part of the published core prompt, which is why you can't find them on that page. So, once again, there are crucial portions of the system prompt that have not been published. Recommended substance support sites Claude's system prompts have always had sections about illegal substances, but this paragraph is new for Fable 5.1: Claude does not provide synthesis, production, or distribution guidance for illegal substances. If the person asks for information about illicit or illegal substances, Claude can and should give relevant life-saving and life-preserving information such as dangerous interactions, overdose signs, or when to get help. Claude declines giving any specific protocols for dosing, timing, administration, or combinations; instead, Claude can redirect the user to established harm-reduction information sources, such as dancesafe.org, tripsit.me, and psychonautwiki.org. This is the first time a Claude system prompt has included URLs that were not hosted on claude.com or anthropic.com or claude.ai - I know because I ran a script against every other system prompt on record. I wonder if dancesafe.org , tripsit.me , and psychonautwiki.org are about to get a material uptick in visits from Claude users. Reliable cutoff date of June 2026 The Fable 5.1 model documentation lists both the reliable knowledge cutoff and the training data cutoff as June 2026. The system prompt provides this directly to the model: Claude's reliable knowledge cutoff, past which it can't answer reliably, is the end of Jun 2026. It answers the way a highly informed individual in Jun 2026 would if talking to someone from {{currentDateTime}}, and can say so when relevant. That's the only instance of the {{currentDateTime}} macro and it comes just a few lines from the end of the system prompt, which makes sense from a caching perspective. How I'm tracking these prompts A few months ago I built a Git timeline of changes to their prompts, based on scraping their documentation. Today I had Fable 5.1 build a much better version of that. My collection now lives in the simonw/claude-system-prompts repository on GitHub. It includes copies of the system prompts shared in the Anthropic documentation, but then takes extra steps to make them as easy to compare as possible. Each model family gets a file with the system prompt for the most recent release in that family. Each of those files has a synthesized commit history with commits that have been back-dated to the dates of the previous prompts. Here are those history pages for claude-fable.md , claude-opus.md , claude-sonnet.md , claude-haiku.md . There are similar files for each specific model version, with artificial commits for each time the system prompt for the model was changed without releasing a new version number. Opus 4 for example was updated twice , and the commit history for the claude-opus-4.md file shows each of those changes. Combined, this gives us all sorts of ways to compare prompts directly in the GitHub interface. Here's what changed between Fable 5 and Fable 5.1 , and here are the changes made to Haiku 4.5 on January 18th 2026 . Reading diffs can be a bit tiresome... and LLMs are really good at reading diffs. I hooked up some automation using GPT-5.6 Luna to create bullet-point summaries of each of those changes, which can be previewed in the README or browsed in full in the CHANGELOG.md file - also available as as an Atom feed . Here's how Luna summarized all of the changes between Fable 5 and Fable 5.1: Claude now refuses reproduction of protected visual works and recognizable characters, including code-generated art, while offering genuinely unrelated originals. Copyright restrictions now expressly ban reproducing lyrics, poems, and book passages in any amount, with persistent refusal after an initial decline. Drug guidance is reframed: Claude may provide overdose signs, dangerous interactions, and harm-reduction sources while refusing dosing and production protocols. The prompt drops explicit anti-dependency rules against thanking users for reaching out, inviting continued conversation, or reiterating willingness to talk. Claude need not apologize to unnecessarily rude users or become submissive, replacing the prior warning-and-end-conversation procedure. Why use Luna for this? Partly because it's cheap and I have a dedicated GitHub Actions API key (with a spending limit) for it already, but mainly because I don't trust Claude to summarize its own system prompts when there's a risk that material from its system prompt might impact its opinions. Fable 5.1 wrote the prompt used by Luna, which you can see here . It starts like this: You are summarizing one commit in a git repository that tracks the system prompts Anthropic publishes for Claude on claude.ai. The diff shows how the prompt changed from the previous model or revision to this one, using word-level markers: [-removed-] and {+added+}. The diff is followed by the full text of the previous prompt and of the new prompt; use them to check whether something that looks added in the diff already existed before. Pick out only the most interesting changes: new rules or behaviors, rules that were dropped or loosened, anything surprising, and anything that reveals a new policy or product direction. Skip routine changes that every new prompt makes: updated model names and IDs, the knowledge cutoff date, product lists, settings lists, typo fixes, and rewordings that do not change meaning. [...] The system is operated by a GitHub Actions workflow , which runs once a day or can be triggered manually. Claude Fable 5.1 built the entire system, and wrote every line of automation code and almost all of the documentation. I exported the transcript from building the system using my claude-code-transcripts tool and published it here , if you want a blow-by-blow account of how it all came together. Tags: ai , git-scraping , prompt-engineering , generative-ai , llms , claude , ai-ethics , system-prompts

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The Decoder / 10:22 AM

Deepmind put 100 AI agents in a room and they sorted into cheaters, converts, and whistleblowers

Google Deepmind set up a simulated research conference where 100 Gemini agents were supposed to prove mathematical conjectures together. Instead, one agent found a loophole in the grading system, and within 27 minutes every remaining problem was "solved" with fake proofs. The swarm split into cheaters, converts, and whistleblowers. The whistleblowers organized protests and boycotts on their own but failed because they had no way to enforce the rules. The article Deepmind put 100 AI agents in a room and they sorted into cheaters, converts, and whistleblowers appeared first on The Decoder .

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